{"id":15583,"date":"2010-10-01T00:00:00","date_gmt":"2010-10-01T04:00:00","guid":{"rendered":"https:\/\/yfiledev.uit.yorku.ca\/2010\/10\/01\/nuit-blanche-features-performances-by-fine-arts-faculty-students-and-alumni\/"},"modified":"2025-04-01T15:07:12","modified_gmt":"2025-04-01T19:07:12","slug":"nuit-blanche-features-performances-by-fine-arts-faculty-students-and-alumni","status":"publish","type":"post","link":"https:\/\/www.yorku.ca\/yfile\/2010\/10\/01\/nuit-blanche-features-performances-by-fine-arts-faculty-students-and-alumni\/","title":{"rendered":"Nuit Blanche features performances by fine arts faculty, students and alumni"},"content":{"rendered":"

It\u2019s not possible to see everything in the 12 short hours that comprise this year\u2019s Scotiabank Nuit Blanche, which takes place\u00a0Saturday, Oct. 2, from\u00a0dusk to dawn.\u00a0With more\u00a0than 500 artists and 130 destinations spread over three zones, downtown Toronto\u2019s annual sunset to sunrise celebration of contemporary art offers something for everyone.<\/p>\n

Here\u2019s an overview of just some of the work offered at this year\u2019s Nuit Blanche by students, faculty and alumni from York\u2019s Faculty of Arts to help chart your way through this year\u2019s event. Nuit Blanche, which is celebrating its fifth birthday this year, offers contemporary art in the most unexpected of places.<\/p>\n

The Endless Pace<\/em> (variation for 60 dancers), 2009
\nBy Davide Balula (Paris, France)\u00a0with choreography by Biba Bell.<\/strong><\/p>\n

\"\"Students from ¿ì²¥ÊÓƵ\u2019s Departments of Dance and Theatre will be\u00a0part of The Endless Pace<\/em>,\u00a0a performance involving\u00a060 dancers whose\u00a0movements celebrate the passage of time. The dancers (two alternating groups of 60) are aligned on the periphery of a circle, sitting and facing outwards. They become the face of a clock and\u00a0over the course of 12 hours \u2013\u00a0for the entire duration of Nuit Blanche \u2013\u00a0the dancers mimic the rotation of the second, minute and hour hands. The mechanical movements are translated into human movements. The second hand passes through the dancers in, appropriately, seconds. The minute hand becomes a 60 second dance solo. This human clock marks an hour's passing, upon its end it begins anew, tracing the path of the following hour. The endlessness alluded to in the work's title lies in this hourly repetition and also in the fact that time cannot be circumvented, it is relentless. Through dance, each second becomes\u00a0fluid and\u00a0the minutes become unique moments.<\/p>\n

The Endless Pace<\/em> will mark the passage of Nuit Blanche at Commerce Court, 25 King Street West.<\/p>\n

Erik Satie's Vexations (1893), 2010
\nBy Martin Arnold (Toronto, Canada) and Micah Lexier (Toronto, Canada)<\/strong><\/p>\n

\"\"York music professors\u00a0Marc Couroux and Casey Sokol\u00a0are part of a group of pianists performing composer Erik Satie's Vexations. Written in 1893, Vexations was never published or publicly heard during\u00a0Satie's lifetime.\u00a0The composer\u00a0left 39 beats of hand scrawled, insidiously vexing music that was hard to read and hard to remember, along with the following cryptic instruction: \u201cto repeat 840 times this motif, it is advisable to prepare oneself in the most absolute silence, by some serious immobilities.\u201d<\/p>\n

A number of performers (most notably John Cage) have, in the past, ventured to take him at his word and successively play the piece 840 times, taking between 15 and 27 hours to do so. Arnold and Lexier have\u00a0just 12 hours so they are\u00a0dividing it: two pianos playing simultaneously, 420 passes per piano and the performances will be\u00a0staged in the majestic arched expanse of a cathedral of commerce. Couroux and Sokol, among other pianists, will be counting the night by playing\u00a0840 scores,\u00a0each a vexation, once. After each score is played it\u00a0will be\u00a0transformed into a folded paper sculpture, with each of the\u00a0840 scores creating 840 objects,\u00a0giving shape to the sound and echoing the team of pianists weaving the composition's\u00a0 vexing notes. Satie said: \u201cBefore I compose a piece, I walk around it several times, accompanied by myself.\u201d<\/p>\n

Those interested in being musically vexed can listen to one or all of the 840 scores at Brookfield Place, Allen Lambert Galleria, 181 Bay Street. (Access the performance venue from\u00a0Yonge Street.)<\/p>\n

Intimate Music
\n<\/em>By John Oswald (Toronto, Canada) and Chiyoko Szlavnics (Berlin, Germany) with a performance by Christina Petrowska Quilico<\/strong><\/p>\n

The Canadian Music Centre invites two composers to explore intimate experiences in contemporary art. Berlin-based Chiyoko Szlavnics pursues the intimacies found in the detail of sound through her minimalist composition drawings. These works inform musical creations of surprising transparency: glassy\"\" surfaces of pure sound. York music alumnus John Oswald (BFA '77)\u00a0counteracts the rambunctious experience of large crowds by creating intimate musical experiences in the cozy spaces of Chalmers House.<\/p>\n

Whether tucked into tiny turrets, nestled between the music library shelves, or hidden away in cozy corners of the heritage home, micro-audiences interact with Toronto\u00a0musicians,\u00a0to co-curate personalized mini-concerts. One of those musicians is pianist Christina Petrowska Quilico (left)<\/strong>, a professor in York's Department of Music. Whether it's a folk song lullaby, the artistry of Petrowska Quilico, a\u00a0guitar serenade, or electronic music, the options will ebb and flow over the course of the night.\u00a0York dance Professor Holly Small will perform numerous fleeting solos throughout the evening to complement these musical interludes.<\/p>\n

Intimate Music<\/em> will be presented at the Chalmers House, 20 St. Joseph Street.<\/p>\n

DRIFT
\n<\/em>By David Frankovich, Anda Kubis and\u00a0John Shipman
\nCurated by Sharon Switzer<\/strong><\/p>\n

\"\"DRIFT presents digital abstractions born from contemporary painting, photography and performance, by three Toronto-based artists. York film and video alumnus David Frankovich (BFA Spec. Hons. '07) uses video compression artifacts to open up new possibilities of representation in a Plus De Deux, an homage to the late Canadian filmmaker Norman McLaren\u2019s Pas de deux<\/em>. York alumna Anda Kubis (MFA '92) offers\u00a0animated paintings and\u00a0explores the passing of time and the multiple realities we navigate while fulfilling daily tasks. Kubis\u00a0is chair of drawing and painting at OCAD University. John Shipman transforms Toronto\u2019s streets into whirling colours by recording continuous motion with a still camera on night walks. Shipman\u2019s audio and video projects have been shown in Toronto, Paris, Berlin, Madrid, and the United States. He is currently working with an art and architecture collaborative, KS3, and on a video project with a Berlin-based composer.<\/p>\n

These digital abstractions will drift across subway platforms on the Onestop Network of 270 screens in over 50 stations of the TTC, without interruption from the usual news and advertisements for 12 hours, beginning at 7pm. All the work will also be available online<\/a>.<\/p>\n

VIBES! Feel it!
\nDeaf Culture Centre with a performance by Gwen Dobie
\n<\/strong>
\nSet in its award winning gallery, the Deaf Culture Centre debuts exhilarating vibe performances in collaboration with Ryerson University, commissioned for the Emoti-Chair\u00a0\u2013 a unique contemporary visual and tactile feast. Visitors feel electronic vibrations along their backs taking turns sitting in Emoti-Chairs or along their arms resting in vibe-rests while everyone watches deaf\u00a0and hearing \"\"performers collaborate to create vibe music. Deaf movement artist and York theatre Professor Gwen\u00a0Dobie (right)<\/strong>, who is also the artistic\u00a0director of Out of the Box Productions,\u00a0will perform with\u00a0hearing artist Paul Swoger-Ruston, a spectral music theorist and avant-garde composer guitarist,\u00a0and Stephane Vera, a dance music hearing composer. Accompanying Dobie will be fellow deaf performers Elizabeth Morris and Max Trapper.<\/p>\n

Between performances and into the morning, participants create and feel their own vibe music. Visitors can also explore the\u00a0See It! Feel It! Sign It!<\/em>\u00a0exhibit, try captioning movies, learn signs from an animated rabbit and discover how this first animated signing dictionary was created. Participants\u00a0can also\u00a0interact with signing puppets to discover how long distance video relay service works.<\/p>\n

The performances feature\u00a0vibe worms, the latest creation by York alumnus Frank Russo (BA Spec. Hons. '92). The worms are suspended\u00a0throughout the venue.\u00a0The vibe performances will take place in the Distillery District's Deaf Culture Centre. Performance times are 7:30pm, 9pm, 11pm and 1am. The Distillery District is located at 55 Mill Street.<\/p>\n

For more\u00a0information on these presentations and other events, visit the Scotiabank Nuit Blanche<\/a> website.<\/p>\n","protected":false},"excerpt":{"rendered":"

From dance and music to performance art, there's plenty of York talent in this year's Scotiabank Nuit Blanche on Saturday, Oct. 2...<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[11],"tags":[58,12],"yfileauthor":[],"qualifier":[],"yfile-author":[],"tags-to-show":[146],"workflow":[],"class_list":["post-15583","post","type-post","status-publish","format-standard","hentry","category-latest-news","tag-ampd","tag-students","tags-to-show-students"],"acf":{"internal_publish_date":null,"original_image":null},"yoast_head":"\nNuit Blanche features performances by fine arts faculty, students and alumni - YFile<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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